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	<title>DM Audio sound hire Scotland</title>
	<atom:link href="http://www.dmaudio.co.uk/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.dmaudio.co.uk</link>
	<description>PA hire, backline hire &#38; event production</description>
	<lastBuildDate>Wed, 19 Jun 2013 22:51:08 +0000</lastBuildDate>
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		<title>Pioneer DJM900 Nexus DJ mixer</title>
		<link>http://www.dmaudio.co.uk/pioneer-djm900-nexus-dj-mixer/</link>
		<comments>http://www.dmaudio.co.uk/pioneer-djm900-nexus-dj-mixer/#comments</comments>
		<pubDate>Wed, 19 Jun 2013 22:49:06 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[DJ mixers]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4503</guid>
		<description><![CDATA[Offering a significant update to the highly popular DJM-800 club mixer, here&#8217;s the DJM-900 nexus – the next level in creativity for the pro DJ. Excellent computer connectivity, up-to-date effects and high performance features and sound make this the centrepiece of any modern, professional DJ setup. The DJM-900 nexus inherits the familiar DJM-800 layout. To [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Pioneer-djm-900-nexus.jpg"><img class="aligncenter size-medium wp-image-4504" alt="Pioneer DJM 900 Nexus" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Pioneer-djm-900-nexus-256x300.jpg" width="256" height="300" /></a></p>
<p style="text-align: center;"><a href="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Pioneer-djm-900-nexus-back.jpg"><img class="size-medium wp-image-4505 aligncenter" alt="Pioneer DJM 900 Nexus" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Pioneer-djm-900-nexus-back-300x104.jpg" width="300" height="104" /></a></p>
<p>Offering a significant update to the highly popular DJM-800 club mixer, here&#8217;s the DJM-900 nexus – the next level in<br />
creativity for the pro DJ. Excellent computer connectivity, up-to-date effects and high performance features<br />
and sound make this the centrepiece of any modern, professional DJ setup.</p>
<p>The DJM-900 nexus inherits the familiar DJM-800 layout. To match, we&#8217;ve rearranged the connection panel to<br />
make it better and more intuitive.</p>
<p>What&#8217;s more, improved fader technology and audio circuits reduce the need for servicing and significantly<br />
increase the mixer&#8217;s lifespan.</p>
<p><strong>Features</strong></p>
<p><strong>Plug-and-play computer connectivity<br />
</strong>A single USB connection is all you need for MIDI control for DJ software like Ableton and TRAKTOR™. Additionally, being TRAKTOR™ Scratch Certified, DVS Control becomes a breeze: connect one USB cable and control TRAKTOR with Timecode CD and/or vinyl, directly through the mixer and without using a box or time code disc.</p>
<p><strong>Flawless Beat Effects with X-Pad and rekordbox™ Quantize<br />
</strong>13 Beat Effects add creative opportunities for every DJ style. New effects include Spiral, Slip Roll, Melodic and an entirely updated Reverb. The DJM-900 Nexus expands the familiar Beat buttons with the industry-first X-Pad to engage effects and change their timing with an intuitive, touch-sensitive strip. The new rekordbox™ Quantizeeasily lets you match the BPM and beat positioning to the effects by pressing a single button – even as you adjust or bend the pitch. MIDI LFO adds in easy control of external effects.</p>
<p><strong>rekordbox™ and Pro DJ Link<br />
</strong>With Pro DJ Link, you can connect your laptop via a single LAN cable and use rekordbox™ software. And any compatible CDJ connected to the mixer can access rekordbox™ with a single connection. New Pro DJ Link features on the DJM-900 nexus include Now On Play indication, rekordbox™ Quantize and Cue Link, an additional channel that lets you monitor new tracks from rekordbox™ directly to your headphones.</p>
<p><strong>6 Full-fledged, channel-assignable Sound Color FX<br />
</strong>New, beefed-up effects turn creative vision into a reality at the twist of a dial. In addition to the essential Filter and Crush, the DJM-900 Nexus boasts 4 new modern effects. Noise is added by popular demand. Space reverb brings high-pass and low-pass ambiance.Dub Echo also has high-pass and low-pass control over a new tape delay effect. Gate/Comp strips back your music to the peaks, or beefs it up to seamlessly to blend drastically different productions together in the mix.</p>
<p><strong>Better sound quality than competitor&#8217;s mixers<br />
</strong>The DJM-900 nexus is equipped with the same high-quality audio input and output circuits as the DJM-2000. The 4-channel 96kHz/24-bit soundcard streams all audio signals with an S/N ratio of 120 dB, delivering more accurate performance than competitor&#8217;s mixers.</p>
<p><strong>Sturdy and liquid proof<br />
</strong>New fader technology and P-Lock fader caps will make the DJM-900 Nexus last for even longer between services in super-tough club environments. There are no more electronics directly under the fader, making the DJM-900 nexus much less vulnerable to damage from any liquids that might be spilled over it.</p>
<p><strong>New Beat Effects</strong></p>
<p><strong>Reverb<br />
</strong>DJs looking for processor-intensive reverbs no longer have to gamble with the stability of laptops to get the best quality. The DJM-900 nexus&#8217; Reverb brings lush studio quality with a two-minute tail, pitched room size control and input frequency filtering for stunning results.</p>
<p><strong>Spiral<br />
</strong>This pitch echo with feedback looping can create psychedelic breakdowns and interludes from a single hit.</p>
<p><strong>Slip Roll<br />
</strong>A DJM-2000 favorite, this ultimate beat-mashing tool puts rhythmic slicing and dicing at your fingertips. Continuously re-sample and loop fresh chunks of audio as you slide between loop sizes on the X-PAD, in perfect time with the beat.</p>
<p><strong>Melodic<br />
</strong>This side-chain pitching sampler is another inspiration from the DJM-2000. Hit the X-PAD to simultaneously sample from the selected channel, and hold your finger down to trigger the sample from the peaks of the underlying music. Then slide your finger along to adjust the sample length while you change the playback pitch with the BEAT buttons.</p>
<p><strong>MIDI LFO<br />
</strong>DJs looking for processor-intensive reverbs no longer have to gamble with the stability of laptops to get the best quality. The DJM-900 nexus&#8217; Reverb brings lush studio quality with a two-minute tail, pitched room size control and input frequency filtering for stunning results.</p>
<p><strong>Setting Utility<br />
</strong>When connected to a computer, this application lets you manage your mixer inputs and outputs.<br />
On the Mixer Input tab, you get an overview of the selected inputs for each channel.<br />
Channels connected to your computer show a blue arrow indicating a digital signal; any channels that use Line or Phono inputs show a grey arrow.<br />
For multi-track recording purposes, the Mixer Output tab sets up what you want to record. You can select Cross Fader A/B, MIC or REC OUT.<br />
Post CH Fader recording will include all fader movements, Beat Effects and Sound Colour FX adjustments. In this tab, you can also select Timecode to be sent to any DVS software.</p>
<p><strong>Specifications</strong><br />
Dimensions (W x H x D)331 x 108 x 409 mm<br />
Weight 7.1 kg<br />
Power Consumption 42 Watt<br />
Auto Standby Yes<br />
SN Ratio: Line107 dB<br />
Sampling Rate 96 kHz<br />
A/D Converter 32-bit<br />
D/A Converter 32-bit<br />
Frequency Response 20 Hz to 20 kHz<br />
Harmonic Distortion &lt; 0.004%<br />
Headroom 19 dB<br />
Rack Mount Yes, with adapter</p>
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		<item>
		<title>Rane Serato Scratch Live SL3 USB interface</title>
		<link>http://www.dmaudio.co.uk/rane-serato-scratch-live-sl3-usb-interface/</link>
		<comments>http://www.dmaudio.co.uk/rane-serato-scratch-live-sl3-usb-interface/#comments</comments>
		<pubDate>Wed, 19 Jun 2013 22:30:17 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[DJ mixers]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4500</guid>
		<description><![CDATA[&#160; The Rane SL3 for Serato Scratch Live. Compact 2-deck plug-and-play USB interface adds DVS and auxiliary I/O to any mixer. The Rane Serato Scratch Live SL3 gives you the freedom to take your entire digital music collection on the road with advanced Serato Scratch Live features that add extra creativity to your DJing. This [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;">
<a href="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Rane-SL3.png"><img class="aligncenter size-medium wp-image-4501" alt="Rane SL3 Serato" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Rane-SL3-300x216.png" width="300" height="216" /></a></p>
<p>&nbsp;</p>
<p>The Rane SL3 for Serato Scratch Live. Compact 2-deck plug-and-play USB interface adds DVS and auxiliary I/O to any mixer.</p>
<p>The Rane Serato Scratch Live SL3 gives you the freedom to take your entire digital music collection on the road with advanced Serato Scratch Live features that add extra creativity to your DJing. This intuitive system replicates the traditional DJing experience for &#8220;real feel&#8221; usability. The Rane SL3 USB 2.0 interface connects one, two or three standard vinyl or CD turntables to your computer using a single USB cable with audio connections to line inputs on your DJ mixer of choice.</p>
<p><strong>Specifications</strong><br />
USB Audio Interface USB 2.0 High Speed<br />
Power Requirements 400mA, 5.0 Volts<br />
Audio Channels Six Record and Six Playback<br />
External Power Supply 1060 mA, 7.5 Volts<br />
Converters 24-bit / 44.1 kHz or 48 kHz sample rate<br />
Dynamic Range<br />
DAC 104 dB, A-weighted<br />
Line Thru 101 dB, A-weighted<br />
Phono Thru 98 dB, A-weighted<br />
Frequency Response 20 Hz to 20 kHz -3, +0 dB<br />
THD+N 0.009% at 1 kHz at 2 Vrms<br />
Line Inputs Unbalanced RCA &#8211; Phono or Line Level Switchable<br />
Gain Unity<br />
Maximum Input / Output 3 Vrms<br />
Phono Inputs Unbalanced RCA &#8211; Phono or Line Level Switchable<br />
Sensitivity Adjustable 2.5 mV to 10 mV (106 mV max)<br />
Unit Size 6.8&#8243; x 5&#8243; x 1.3&#8243; (17.3 x 12.6 x 3.3 cm)</p>
]]></content:encoded>
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		<item>
		<title>Marshall DSL-100H 100w 2-channel guitar head</title>
		<link>http://www.dmaudio.co.uk/marshall-dsl-100h-100w-2-channel-guitar-head/</link>
		<comments>http://www.dmaudio.co.uk/marshall-dsl-100h-100w-2-channel-guitar-head/#comments</comments>
		<pubDate>Mon, 17 Jun 2013 12:27:34 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[guitar heads]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4489</guid>
		<description><![CDATA[&#160; The Marshall DSL-100H builds on the sounds and features of the JCM2000 DSL100 amplifier and adds digital reverb, even more tone adjustment, and the ability to switch between 50W and 100W output. The mindset behind the Marshall DSL100H is a simple one and obviously identical to that of the original Marshall JCM2000 DSL100 head [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.dmaudio.co.uk/marshall-dsl-100h-100w-2-channel-guitar-head/marshall-dsl-100h/" rel="attachment wp-att-4491"><img class="aligncenter size-medium wp-image-4491" alt="Marshall DSL-100H" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Marshall-DSL-100H-300x110.jpg" width="300" height="110" /></a></p>
<p>&nbsp;</p>
<p>The Marshall DSL-100H builds on the sounds and features of the JCM2000 DSL100 amplifier and adds digital reverb, even more tone adjustment, and the ability to switch between 50W and 100W output.</p>
<p>The mindset behind the Marshall DSL100H is a simple one and obviously identical to that of the original Marshall JCM2000 DSL100 head – combine the world-renowned EL34 driven power- stage of the 1959 Super Lead Plexi (SLP) 100W head with a dual channel valve preamp, giving you two footswitchable Super Leads in one. Then, for good measure, add a built-in, studio-quality, digital spring Reverb plus extra preamp gain that can take you into JCM800 2203 territory and far beyond it. Hence the name DSL – Dual Super Lead.</p>
<p>The Marshall DSL-100H features two footswitchable channels (footswitch supplied) named Classic Gain and Ultra Gain – each with two modes, selectable via a front-panel button. As their names imply, each channel has a very different character. Classic Gain takes you from a 1959 style clean to the snarl of a JCM800 2203, and everything in-between, via its Clean/ Crunch mode button. Ultra Gain, on the other hand, takes you from a hot-rodded 2203 vibe to an even higher gain response with additional mid-boost, via its Lead 1/Lead 2, mode switch.</p>
<p>Both channels share a passive three-band EQ with controls for Bass, Middle and Treble. The Equalisation section also features a Tone Shift button which, when activated (pushed in), shifts out the mid frequencies making the amp ideal for brutal, modern metal tones, especially when combined with high gain settings. Each channel also has its own individual Reverb level control for the built-in studio quality digital spring reverb, This effect can be switched on/off via the supplied footswitch.</p>
<p>The Marshall DSL-100H&#8217;s power section features controls for Resonance and Presence. Resonance adds a variable bass boost to your sound without muddying it up, while the Presence adds high end. The ability to select either full output power or half-power via the Pentode/Triode switch on the rear panel, adds further to your DSL’s already impressive feature set. The all-round tonal and gain versatility makes both the DSL100H &amp; DSL40C superb and flexible performance tools for today’s most demanding playing situations and you can rest assured it is packed full of our famed Marshall tone.</p>
<p>The ability to select either full output power or half-power via the Pentode/Triode switch on the rear panel, adds further to your DSL’s already impressive feature set.</p>
<p><strong>Features</strong></p>
<p>Capable of conjuring any classic Marshall sound &#8211; past or present<br />
Two channels: Classic Gain and Ultra Gain<br />
Each channel boasts two modes: Clean/Crunch and Lead 1/Lead 2, respectively<br />
Highly effective Resonance control replaces the original&#8217;s fixed Deep switch<br />
Tone Shift button gives you incredible tonal flexibility<br />
Studio-grade digital Reverb<br />
Rear-panel Pentode/Triode switch drops the amp&#8217;s output to a club-and-studio-friendly 50 watts<br />
Bypassable rear-panel Series FX loop<br />
Included 2-way footswitch for channel switching and Reverb on/off</p>
<p><strong>Specifications</strong></p>
<p>pentode mode output (RMS)    100 watt<br />
triode mode output (RMS)    50 watt<br />
pre-amp valves    3 x ECC83<br />
power amp valves    1 x ECC83  4 x EL34<br />
dual footswitchable channels<br />
two modes per channel<br />
3 band EQ, mid-shift &amp; presence<br />
resonance control<br />
digital reverb<br />
pentode / triode switch<br />
series FX loop (bypassable)<br />
footswitch<br />
dimensions    741 x 274 x 242mm<br />
weight    24.2kg</p>
]]></content:encoded>
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		<item>
		<title>Novation Impulse 61 MIDI master keyboard</title>
		<link>http://www.dmaudio.co.uk/novation-impulse-61-midi-master-keyboard/</link>
		<comments>http://www.dmaudio.co.uk/novation-impulse-61-midi-master-keyboard/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 09:39:09 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[MIDI master keyboards]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4482</guid>
		<description><![CDATA[&#160; The Novation Impulse 61 MIDI master keyboard features 61 synth-weighted keys and a large range of MIDI controllers including 8 x MIDI faders, 8 x MIDI pots and 8 x MIDI drum pads, all of which can be assigned to any MIDI controller value. Many presets are available, including settings for most of the [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.dmaudio.co.uk/novation-impulse-61-midi-master-keyboard/novation-impulse-61/" rel="attachment wp-att-4483"><img class="aligncenter size-medium wp-image-4483" alt="Novation Impulse 61 MIDI controller keyboard" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/06/Novation-Impulse-61-300x100.jpg" width="300" height="100" /></a></p>
<p>&nbsp;</p>
<p>The Novation Impulse 61 MIDI master keyboard features 61 synth-weighted keys and a large range of MIDI controllers including 8 x MIDI faders, 8 x MIDI pots and 8 x MIDI drum pads, all of which can be assigned to any MIDI controller value. Many presets are available, including settings for most of the leading DAWs such as ProTools, Logic and Ableton Live.</p>
<p><strong>Features</strong></p>
<p>The Novation Impulse 61 USB / MIDI controller features a precision keyboard and a full control surface powered by a brand new version of Novation&#8217;s <abbr title="Automap is a new system devised by Novation, whereby parameter mapping is done automatically as the user navigates around their session with ease. When an Automap-supported application is booted up (providing the simple setup procedure on the accompanying CD has been carried out), the SL will switch to the Automap Template and do all the hard work for you. Then, all you need to do is press one button on the SL or click once with the mouse to switch between controlling different instruments and areas of the session. Each application works slightly differently due to the differences in the software but every one offers the next level of software integration and makes controlling infinitely simpler than before. ">Automap</abbr> control software - <abbr title="Automap is a new system devised by Novation, whereby parameter mapping is done automatically as the user navigates around their session with ease. When an Automap-supported application is booted up (providing the simple setup procedure on the accompanying CD has been carried out), the SL will switch to the Automap Template and do all the hard work for you. Then, all you need to do is press one button on the SL or click once with the mouse to switch between controlling different instruments and areas of the session. Each application works slightly differently due to the differences in the software but every one offers the next level of software integration and makes controlling infinitely simpler than before. ">Automap</abbr> 4 (which makes getting hands-on with your DAW/plug-ins fast and simple). Impulse also has 8 back-lit drum pads which can warp arpeggios, roll beats and launch Live clips.</p>
<p>Impulse has a precision &#8216;players&#8217; keyboard. It is semi-weighted with assignable<abbr title="Aftertouch is an additional key feature, which allows the use to add further performance effects when a key is pressed down. For example, whilst holding a chord or an arpeggiated loop, applying additional pressure to the keys will activate a parameter of the sound such as pitch or filter frequency. This is a great feature on a synth/controller and opens up a whole new world of creativity to the keyboard player.">aftertouch</abbr> and has been designed to feel like an instrument rather than a computer peripheral. In addition to feeling good, it is incredibly accurate &#8211; this means it can translate musical expression (how you play the keyboard) extremely effectively. So your performance is reflected exactly by the synth or software instrument you are triggering.</p>
<p>Many <abbr title="Stands for 'Musical Instrument Digital Interface' .  An internationally agreed standard of electronic hardware,  along with a language of commands,  which allows suitably equipped devices to be interconnected and remotely controlled.  MIDI data only contains instructions necessary to carry out a performance, not the sound of the performance itself!">MIDI</abbr> controllers have knobs, faders and buttons, but using them is difficult and time consuming!</p>
<p>Impulse (as with all Novation controllers) comes with <abbr title="Automap is a new system devised by Novation, whereby parameter mapping is done automatically as the user navigates around their session with ease. When an Automap-supported application is booted up (providing the simple setup procedure on the accompanying CD has been carried out), the SL will switch to the Automap Template and do all the hard work for you. Then, all you need to do is press one button on the SL or click once with the mouse to switch between controlling different instruments and areas of the session. Each application works slightly differently due to the differences in the software but every one offers the next level of software integration and makes controlling infinitely simpler than before. ">Automap</abbr> control software. This gives you instant mapping to the things you need to control, meaning you can make full use of faders, knobs and buttons on Impulse to get hands-on with your DAW and plug-ins.</p>
<p>The control surface allows you to get hands on control for your DAW and plug-ins. We have worked with all the major DAWs and plug-ins to make sure that you get instant control of your mixer, transport controls and plug-in instruments and effects.</p>
<p>Impulse has 8 quality-feel drum pads which are velocity-sensitive with <abbr title="Aftertouch is an additional key feature, which allows the use to add further performance effects when a key is pressed down. For example, whilst holding a chord or an arpeggiated loop, applying additional pressure to the keys will activate a parameter of the sound such as pitch or filter frequency. This is a great feature on a synth/controller and opens up a whole new world of creativity to the keyboard player.">aftertouch</abbr>. These are back-lit with 3-colour LEDs which means they can do things other drum pads can&#8217;t, like warping arpeggios in real time, rolling beats and launching clips in Ableton Live.</p>
<p>We have worked with major music software manufacturers to ensure Impulse gives you instant hands-on control. In addition to the major DAWs, Impulse &amp; <abbr title="Automap is a new system devised by Novation, whereby parameter mapping is done automatically as the user navigates around their session with ease. When an Automap-supported application is booted up (providing the simple setup procedure on the accompanying CD has been carried out), the SL will switch to the Automap Template and do all the hard work for you. Then, all you need to do is press one button on the SL or click once with the mouse to switch between controlling different instruments and areas of the session. Each application works slightly differently due to the differences in the software but every one offers the next level of software integration and makes controlling infinitely simpler than before. ">Automap</abbr> 4 have been specially designed to give you full control of 3rd party plug-in instruments and effects, like Native Instruments, Waves or FXpansion.</p>
<div>
<p><strong>Pro Tools</strong><br />
Mixer control (all channels)<br />
Transport control<br />
Plug-in instrument/effects control (instant control of Pro Tools&#8217; own plug-ins and 3rd party RTAS plug-ins)</p>
<p><strong>Ableton</strong><br />
Mixer control (all channels)<br />
Transport control<br />
Clip launch (using Impulse&#8217;s back-lit drum pads)<br />
Scene launch<br />
Plug-in/Device control</p>
<p><strong>Cubase</strong><br />
Mixer control (all channels)<br />
Transport control<br />
Plug-in instrument/effects control</p>
<p><strong>Logic</strong><br />
Mixer control (all channels)<br />
Transport control<br />
Plug-in instrument/effects control (instant control of Logic&#8217;s own plug-ins and 3rd party VST/AU plug-ins)</p>
<p><strong>Reason/Record</strong><br />
Mixer control<br />
Transport control<br />
Instant control of rack devices (Thor, Dr Octo Rex etc.)</p>
<p><strong>Sonar</strong><br />
Mixer control (all channels)<br />
Transport control<br />
Plug-in VST instrument/effects control</p>
</div>
<p><strong>Dimensions</strong><br />
Length (mm) 1022 (Inches) 40.2<br />
Width (mm) 332 (Inches) 13<br />
Height (mm) 100 (Inches) 3.9<br />
Weight (kg) 6.5 (lb) 14.33</p>
<p>&nbsp;</p>
]]></content:encoded>
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		<item>
		<title>Vox VT40 Plus 1 x 10&#8243; Valvetronix modelling combo 60W</title>
		<link>http://www.dmaudio.co.uk/vox-vt40-plus-1-x-10-valvetronix-modelling-combo-60w/</link>
		<comments>http://www.dmaudio.co.uk/vox-vt40-plus-1-x-10-valvetronix-modelling-combo-60w/#comments</comments>
		<pubDate>Wed, 03 Apr 2013 09:21:27 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[guitar amps]]></category>
		<category><![CDATA[guitar combos]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4469</guid>
		<description><![CDATA[Of the broad lineup of VOX amps – from large all-tube amps to mini transistor amps – the Valvetronix Series is acclaimed by the broadest range of musicians and is being used in the widest variety of musical scenarios today. Delivering the perfect fusion of great tube amp sound and cutting-edge modeling technology, the original [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.dmaudio.co.uk/vox-vt40-plus-1-x-10-valvetronix-modelling-combo-60w/vox-vt40-plus/" rel="attachment wp-att-4470"><img class="aligncenter size-medium wp-image-4470" alt="Vox VT40 Plus Valvetronix guitar amp" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/04/Vox-VT40-plus-300x285.jpg" width="300" height="285" /></a></p>
<p>Of the broad lineup of VOX amps – from large all-tube amps to mini transistor amps – the Valvetronix Series is acclaimed by the broadest range of musicians and is being used in the widest variety of musical scenarios today. Delivering the perfect fusion of great tube amp sound and cutting-edge modeling technology, the original VOX Valve Reactor circuitry made its sensational debut in 2001 as the guitar amp for the new century. Since then, it has undergone continual renewal in response to the latest developments in amps, and in order to flexibly meet today&#8217;s needs. Now in 2010, the Valvetronix+ series is once again powerfully and dynamically reborn, offering a larger number of highly evolved amp models than ever before.</p>
<p><strong>Features</strong></p>
<p>Tube-driven VOX Valve Reactor circuit uses a 12 AX7 vacuum tube for true-tube tone<br />
99 Expertly voiced presets<br />
33 Song Presets: spot-on recreations of the sounds used on classic tracks<br />
33 Basic Amp Model Presets: Valvetronix amp modeling at its robust finest<br />
33 Effected Amp Model Presets created with variety of effects including chorus, flanger and tremolo.<br />
25 In-demand, top-quality effects<br />
11 Pedal-type effects<br />
11 Modulation (chorus, flanger, etc.)/Delay effects with Tap Tempo control<br />
3 Reverb styles<br />
8 User Programs for saving your favorite custom settings<br />
Accurate amp models encompass the entire VOX lineage from the traditional AC30 to the modern Night Train, plus an impressive list of other hard-to-come-by classics and rare hi-gain boutique models.<br />
Amp offers Gain, Volume, and Master Volume; EQ features Treble, Middle, and Bass<br />
Unique Power Level control can limit the power amp output wattage, creating distinctive power amp distortion at any listening level.<br />
Built-in automatic guitar tuner<br />
Newly re-voiced VOX original speaker ensures ample power.<br />
Headphone output simulates the acoustic and spatial character of a full speaker cabinet<br />
Timeless VOX styling<br />
Use the optional VOX VFS5 footswitch to change programs to turn effects on and off, or to set the Tap Tempo function.</p>
<p><strong>Tube-powered VOX Valve Reactor circuit </strong><br />
Every guitar player seeks the power and playability delivered by a tube amp; the fat drive tone, wide dynamic range, subtle picking nuances, and quick response. After painstaking analysis of guitarists’ tastes and preferences, VOX has focused on the importance of the power amp circuit in creating the sonic characteristics long sought from tube amps. The <a href="http://www.voxamps.com/uk/valvetronixplus/valvereactor/">VOX Valve Reactor</a> was developed out of this power amp philosophy. Based on a 12AX7 vacuum tube, the <a href="http://www.voxamps.com/uk/valvetronixplus/valvereactor/">Valve Reactor</a> circuit at the heart of every Valvetronix+ Series amp perfectly reproduces the operation, subtle nuances, and tonal character of a real tube-powered amp.</p>
<p><strong>More amp models than ever before</strong><br />
The new Valvetronix+ Series boasts an amazing collection of 33 distinct amp models – a new milestone for Valvetronix amplifiers. In addition, the Valvetronix+ represents a giant leap in quality. The preamp EQ features Bass, Middle and Treble controls for precise tone-shaping. Beginning with classic VOX amps such as the AC30, the diverse amp model selection continues to encompass coveted amps from the pages of history, as well as the latest high-gain amps, providing a sound selection that spans the ages. Call up the sound of an old favorite, or experiment with amps you may never have tried – sought-after amps played by your guitar heroes, rare boutique amps, and vintage amps – and pursue unexplored sonic paths.</p>
<p><strong>25 Diverse, high-quality effects </strong><br />
One of the best features of VOX modeling amps is the ability to combine the built-in effects with the onboard amp models to create a complete and powerful sound. Just as with the effects, the Valvetronix+ Series makes no compromise when it comes to effects, boasting a level of quality that rivals top standalone units. The broad array of effects is divided into two sections: Pedal effects such as distortion, wah, and compressor; and Modulation/Delay effects such as chorus, flanger, and tape echo. In each section, there are 11 effects to choose from. Featuring easy-to-use settings, you can simultaneously select the effect type and adjust its parameters. In addition, there are three types of Reverb (Room, Spring, and Hall). With the addition of Noise Reduction, up to four different effects can be used at the same time.</p>
<p><strong>99 Preset programs</strong><br />
The musicians at VOX have put together 99 preset programs, expertly voiced and ready for immediate use. Each of the 33 amp models provides three presets: Basic, Effected, and Song. An Effected preset calls up the correct combination of effect type and setting for a particular style.</p>
<p>Song presets are just like Effected presets; each one is a faithful recreation of the signature sound used by a famous guitarist to perform one of their classic tracks. Of course you&#8217;re also free to edit any preset – or start from scratch with the manual setting – and save up to eight of your own custom sounds to the User presets.</p>
<p><strong>Beyond the numbers</strong><br />
One of the greatest advances from previous Valvetronix models is the astounding sense of power generated by the Valvetronix+ Series. The power amp section has the potential to significantly exceed the wattage value indicated by the model name – as indicated by the shaded section of the Power Level knob. The new Valvetronix+ Series also feature a newly re-voiced VOX original design speaker that is sure to amaze you with a powerful sound that you would not expect from a chassis and speaker of this size. These fine Valvetronix+ amplifiers genuinely deliver sonic power that cannot be expressed by mere numbers.</p>
<p><strong>Seize the power</strong><br />
The sense of drive produced in the tube power stage is what defines the inimitably fat and warm tone that&#8217;s at the core of a great guitar amp sound. Our tube-driven Valve Reactor circuitry is at the heart of recreating this sound. Volume, Gain, and Master Volume controls provide key levels of controlling your gain to achieve a wealth of clean, overdriven and distorted sounds. In addition, these new Valvetronix+ Series amplifiers feature an altogether unique Power Level control. By lowering the Power Level, it’s possible to achieve high levels of gain and distortion at any listening level. And, as was mentioned above, reserve power can also be dialed in using the Power Level control when you really need your amp to scream. The Power Level control allows you to take full advantage of the Valvetronix+ Series potential in any situation.</p>
<p><strong>Convenient and versatile input and output</strong><br />
The headphone out jack can also be used as a direct line output. This output is equipped with the simulated response and character of a speaker cabinet, so you&#8217;ll enjoy the natural spatial sense of playing through speakers, even when using headphones or when connected to a mixer or recording system. Plug your CD or MP3 player into the AUX input jack and enjoy jamming along with your favorite songs. In addition, the tuning function needed by every guitarist is built in, eliminating the need for a separate tuner.</p>
<p><strong>Optional VFS5 footswitch operation</strong><br />
Plug in the optional VFS5 footswitch is connected, and use your feet to switch programs, turn the reverb and other effects on/off, and control their speed, providing additional options for sonic creativity and live performance power.</p>
<p><strong>Amp Model List (33)</strong><br />
*Three version of each amp model are provided: Standard, Special, and Custom.<br />
Clean, Cali Clean, US Blues, US 2&#215;12, VOX Ac15, VOX Ac30, UK Rock, UK Metal, US High Gain, US Metal, Boutique Metal</p>
<p><strong>Effect Model List (25)</strong><br />
Pedal: Comp, Acoustic, Auto Wah, U-Vibe, Brn Octave, Treble Boost, Tube OD, Gold Drive, Org Dist, Metal Dist, Fuzz<br />
Modulation/Delay: CE Chorus, Multi Chorus, Flanger, Org Phase, Twin Trem, G4 Rotary, Pitch Shift, Filtron, Tape Echo, Delay, Chorus+Delay<br />
Reverb: Room, Spring, Hall<br />
Noise Reduction</p>
<p><strong>Song Preset List (33)</strong><br />
Gravity, Brown Sugar, Cocaine, Creep, I Feel Fine, Pride, Foxy Lady, Enter Sandman, Song 2, Know Your Enemy, Blue Wind, Message In A Bottle, Under The Bridge, Sultans Of Swings, Rebel Rebel, You Enjoy Myself, Smoke On The Water, Beat It, For the Love of God, Best Of You, Satch Boogie, Smells Like Teen Spirit, Wonderwall, Pride and Joy, Walk This Way, Back In Black, Paranoid, Tie Your Mother Down, Black Dog, Sweet Child O&#8217; Mine, Five Minutes Alone, Hot For Teacher, Raining Blood.</p>
<p><strong>Specifications</strong></p>
<p>Number of amp models: 33<br />
Number of effects<br />
Pedal effect types: 11<br />
Modulation/Delay types: 11<br />
Reverb types: 3<br />
Noise reduction: 1<br />
Number of programs<br />
Preset: 99<br />
User: 8 (2 banks x 4 channels)<br />
Input/output jacks<br />
Top panel: INPUT jack (¼” Mono), PHONES jack (⅛” Stereo), AUX IN jack (⅛” Stereo)<br />
Rear panel: FOOT SW jack<br />
Power amp output: maximum 60 W RMS @ 8 Ω<br />
Speaker: VOX original; 10 inch, 8 ohms (x1)<br />
Power supply requirements: AC, local voltage<br />
Power consumption: 36 W<br />
Dimensions (W x D x H): 422 x 222 x 406 mm / 16.6 x 8.7 x 16.0 inches<br />
Weight: 10.9 kg / 24 lbs.</p>
]]></content:encoded>
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		<item>
		<title>SSL MADIXtreme 64 &#8211; PCIe MADI interface card</title>
		<link>http://www.dmaudio.co.uk/ssl-madixtreme-64-pci-madi-interface-card/</link>
		<comments>http://www.dmaudio.co.uk/ssl-madixtreme-64-pci-madi-interface-card/#comments</comments>
		<pubDate>Thu, 14 Feb 2013 00:46:57 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[Computers]]></category>
		<category><![CDATA[mixing consoles]]></category>
		<category><![CDATA[digital]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4433</guid>
		<description><![CDATA[The SSL MADIXtreme 64 is the ideal interface between our Soundcraft Vi6 digital mixer and a suitable computer with a PCIe slot, such as our Apple Mac Pro systems. The MADIXtreme 64 will allow up to 64 channels of digital audio inputs and 64 channels of digital audio outputs at 44.1KHz. The SSL MadiXtreme is [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.dmaudio.co.uk/ssl-madixtreme-64-pci-madi-interface-card/ssl_madixtreme_64/" rel="attachment wp-att-4438"><img class="aligncenter size-medium wp-image-4438" alt="SSL_madixtreme_64" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/02/SSL_madixtreme_64-300x300.jpg" width="300" height="300" /></a></p>
<p>The SSL MADIXtreme 64 is the ideal interface between our Soundcraft Vi6 digital mixer and a suitable computer with a PCIe slot, such as our <a title="Apple Mac Pro 2.8GHz quad-core 10Gb RAM – cased w/ 2 x screens" href="http://www.dmaudio.co.uk/apple-mac-pro-flightcased-w-2-x-screens/">Apple Mac Pro </a>systems. The MADIXtreme 64 will allow up to 64 channels of digital audio inputs and 64 channels of digital audio outputs at 44.1KHz.</p>
<p>The SSL MadiXtreme is a new family of multichannel PCIe audio cards for Mac and PC from Solid State Logic. Featuring our revolutionary PCIe-Core Audio Pipeline technology, MadiXtreme is one of the first audio devices to take full advantage of the high speeds and incredible bandwidth offered by the PCIe bus on modern computers.</p>
<p><strong>MadiXtreme 64<br />
</strong>With one optical MADI connector for 64 simultaneous I/Os, the MADI Xtreme 64 is the ideal interface for the SSL Alpha-Link MADI AX or SSL Alpha-Link MADI SX. MADI Xtreme 64 is also the perfect partner for MADI equipped consoles, live recording, installations and broadcast servers.</p>
<ul>
<li>PCIe half-length card, single-lane PCIe v1.1-3.0</li>
<li>1x MADI I/O (optical)</li>
<li>Channel count: 56/64 <a href="mailto:Ch@44.1/48k">Ch@44.1/48k</a>, 28/32 <a href="mailto:Ch@88.2/96k">Ch@88.2/96k</a>, 14/16 <a href="mailto:Ch@176.4/192k">Ch@176.4/192k</a></li>
<li>1x Wordclock Connector (Software controlled as Input or Output)</li>
</ul>
<p><strong>Support for virtually any application</strong><br />
MadiXtreme supports a huge variety of applications through its legendary SSL Soundscape Family Drivers. The drivers are fully multi-client capable (allowing several applications to simultaneously access the device) and allow seamless multi-card configurations (up to 6 Cards per System if enough PCIe Slots are available).</p>
<p>Windows: (XP or Vista 32 Bit): ASIO 2, WDM, MME, GSIF2, DWave<br />
Mac OS: OS X (10.4 or 10.5): Core Audio.</p>
<p><strong>Minimum System Requirements<br />
</strong>Windows: Windows XP (SP2) or Vista (32-Bit) Intel or AMD Configuration with one free PCIe Slot<br />
Mac OS: Mac OS X 10.4 (Tiger) or Mac OS X 10.5 (Leopard) G5 or Intel Mac with one free PCIe Slot<br />
Note: PCIe (PCI Express) is not compatible with PCI or PCI-X</p>
]]></content:encoded>
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		<item>
		<title>Yamaha MG102C mixer &#8211; 4 mono, 2 stereo</title>
		<link>http://www.dmaudio.co.uk/yamaha-mg102c/</link>
		<comments>http://www.dmaudio.co.uk/yamaha-mg102c/#comments</comments>
		<pubDate>Wed, 13 Feb 2013 15:51:52 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[mixing consoles]]></category>
		<category><![CDATA[analogue]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[yamaha]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4419</guid>
		<description><![CDATA[The Yamaha MG102C is a very lightweight compact mixer with simple controls. The Yamaha MG102C features four mic/line channels (two with compression) and two stereo line channels, one auxiliary send, and basic channel EQ. Lightweight, Portable Designs Designing a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: left;"><a href="http://www.dmaudio.co.uk/yamaha-mg102c/yamaha-mg102c/" rel="attachment wp-att-4420"><img class="aligncenter size-medium wp-image-4420" alt="Yamaha-MG102C" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/02/Yamaha-MG102C-260x300.jpg" width="260" height="300" /></a></p>
<p style="text-align: left;">The Yamaha MG102C is a very lightweight compact mixer with simple controls. The Yamaha MG102C features four mic/line channels (two with compression) and two stereo line channels, one auxiliary send, and basic channel EQ.</p>
<h3 id="1000767" style="text-align: left;">Lightweight, Portable Designs</h3>
<div style="text-align: left;">
<div>
<p>Designing a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you&#8217;ll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.</p>
</div>
</div>
<h3 id="1000768" style="text-align: left;">Versatile Connectivity and Pro-class Connectors</h3>
<div style="text-align: left;">
<div>
<p>Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik&amp;trade; balanced XLR connectors on mono microphone/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.</p>
</div>
</div>
<h3 id="1000769" style="text-align: left;">Built-in Channel Compressors</h3>
<div style="text-align: left;">
<div>
<p>This advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won&#8217;t find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha&#8217;s innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha&#8217;s one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.</p>
</div>
</div>
<h3 id="1000770" style="text-align: left;">High-performance Microphone Preamplifiers with Switchable Phantom Power</h3>
<div style="text-align: left;">
<div>
<p>Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That&#8217;s why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha&#8217;s top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide &#8211; 60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you&#8217;ll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.</p>
</div>
</div>
<h3 id="1000771" style="text-align: left;">3-band Channel EQ and High-pass Filters</h3>
<div style="text-align: left;">
<div>
<p>Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers&#8217; range.</p>
</div>
</div>
<h3 id="1000772" style="text-align: left;">Aux/Effect Sends</h3>
<div style="text-align: left;">
<div>
<p>All models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. &#8220;CX&#8221; models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer&#8217;s internal multi-effect system. The same signal can also be sent to external effect processors via the mixer&#8217;s EFFECT SEND jack.</p>
</div>
</div>
<h3 id="1000773" style="text-align: left;">Two, Four or Six Buses (Stereo and Group)</h3>
<div style="text-align: left;">
<div>
<p>The smallest models in the lineup &#8211; the MG82CX and MG102C &#8211; have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.</p>
</div>
</div>
<h3 id="1000774" style="text-align: left;">Smooth 60-millimeter Faders &amp; Illuminated Channel ON Switches</h3>
<div style="text-align: left;">
<div>
<p>While the MG82CX and MG102C feature rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.</p>
</div>
</div>
<h3 id="1000775" style="text-align: left;">Bright Meters for Visual Level Monitoring</h3>
<div style="text-align: left;">
<div>
<p>Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer&#8217;s bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.</p>
</div>
</div>
<h3 id="1000776" style="text-align: left;">Optional Mic Stand Mount for the MG82CX and MG102C</h3>
<div style="text-align: left;">
<div>
<p>Both the MG82CX and MG102C can be mounted on a microphone stand for optimal positioning and easy access using the optional BMS-10A Mic Stand Adaptor. This can be particularly handy when using one of them as a sub-mixer for drums or as a cue box in recording situations.</p>
</div>
</div>
<h3 id="1014941" style="text-align: left;">Easy Operation</h3>
<div style="text-align: left;">
<div>
<p>All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.</p>
</div>
</div>
<h3 id="1014942" style="text-align: left;">P.T. Yamaha Music manufacturing Asia — Manufacturing the electronic instruments and PA products</h3>
<p style="text-align: left;">From the initial design to final manufacturing, all production processes for the Yamaha MG series mixing console are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.</p>
<table class=" alignleft">
<tbody>
<tr>
<th colspan="2">Features</th>
<th>MG102C</th>
</tr>
<tr>
<th rowspan="5">Mixing capability</th>
<th>Mixing channels</th>
<td>2 Mono + 4 Stereo</td>
</tr>
<tr>
<th>GROUP</th>
<td>-</td>
</tr>
<tr>
<th>AUX</th>
<td>1</td>
</tr>
<tr>
<th>MAIN</th>
<td>Stereo</td>
</tr>
<tr>
<th>Input channel functions</th>
<td>CH1-2: HPF, Compressor, 3-band PEQ, Intert I/O; CH3-6: HPF, 3-band PEQ; CH7-10: 2-band PEQ</td>
</tr>
<tr>
<th rowspan="4">I/O</th>
<th>Mic inputs</th>
<td>4</td>
</tr>
<tr>
<th>Phantom power</th>
<td>+48V DC; ON/OFF</td>
</tr>
<tr>
<th>Line inputs</th>
<td>4x Stereo, Return, 2tr in</td>
</tr>
<tr>
<th>Control and others</th>
<td>-</td>
</tr>
<tr>
<th colspan="2">General specifications</th>
<th>MG102C</th>
</tr>
<tr>
<th colspan="2">Total harmonic distortion</th>
<td>Less than 0.1%</td>
</tr>
<tr>
<th colspan="2">Frequency response</th>
<td>0, +1.0, -3dB 20Hz-20kHz</td>
</tr>
<tr>
<th rowspan="2">Hum &amp; noise level</th>
<th>Equivalent input noise</th>
<td>-128dBu</td>
</tr>
<tr>
<th>Residual output noise</th>
<td>-100dBu</td>
</tr>
<tr>
<th style="text-align: left;" colspan="2">Crosstalk</th>
<td>-70dB</td>
</tr>
<tr>
<th style="text-align: left;" colspan="2">Power requirements</th>
<td>Use PA-10 AC Adaptor (AC38VCT, 0.62A); Depend on area of purchase; AC100V, 120V or 220-240V; 50/60Hz</td>
</tr>
<tr>
<th style="text-align: left;" colspan="2">Power consumption</th>
<td>21W</td>
</tr>
<tr>
<th rowspan="3">Dimensions</th>
<th>W</th>
<td>256.6mm; 10-1/8in</td>
</tr>
<tr>
<th>H</th>
<td>62.2mm; 2-7/16in</td>
</tr>
<tr>
<th>D</th>
<td>302.5mm; 11-15/16in</td>
</tr>
<tr>
<th colspan="2">Net weight</th>
<td>1.6kg; 3.5lbs</td>
</tr>
<tr>
<th colspan="2">Accessories</th>
<td>Owner’s Manual, AC adaptor</td>
</tr>
</tbody>
</table>
<h2 style="text-align: left;"></h2>
<h2 style="text-align: left;"></h2>
<h2 style="text-align: left;"></h2>
<h2 style="text-align: left;"></h2>
<h2 style="text-align: left;"></h2>
<h2 style="text-align: left;"></h2>
<h2 style="text-align: left;">Input specifications</h2>
<table class=" alignleft">
<tbody>
<tr>
<th rowspan="2">Terminal</th>
<th rowspan="2">Gain</th>
<th rowspan="2">Actual load impedance</th>
<th rowspan="2">For use with nominal</th>
<th colspan="3">Input level</th>
<th rowspan="2">Connector</th>
</tr>
<tr>
<th>Sensitivity</th>
<th>Nominal</th>
<th>Max. before clip</th>
</tr>
<tr>
<td rowspan="2">CH IN MIC (1, 2)</td>
<td>-60dB</td>
<td rowspan="2">3kΩ</td>
<td rowspan="2">50-600Ω Mics</td>
<td>-72dBu</td>
<td>-60dBu</td>
<td>-40dBu</td>
<td rowspan="2">XLR-3-31 type*</td>
</tr>
<tr>
<td>-16dB</td>
<td>-28dBu</td>
<td>-16dBu</td>
<td>+4dBu</td>
</tr>
<tr>
<td rowspan="2">CH IN LINE (1, 2)</td>
<td>-34dB</td>
<td rowspan="2">10kΩ</td>
<td rowspan="2">600Ω Lines</td>
<td>-46dBu</td>
<td>-34dBu</td>
<td>-14dBu</td>
<td rowspan="2">TRS phone jack*</td>
</tr>
<tr>
<td>+10dB</td>
<td>- 2dBu</td>
<td>+10dBu</td>
<td>+30dBu</td>
</tr>
<tr>
<td rowspan="2">ST CH MIC IN<br />
(3/4, 5/6)</td>
<td>-60dB</td>
<td rowspan="2">3kΩ</td>
<td rowspan="2">50-600Ω Mics</td>
<td>-72dBu</td>
<td>-60dBu</td>
<td>-40dBu</td>
<td rowspan="2">XLR-3-31 type*</td>
</tr>
<tr>
<td>-16dB</td>
<td>-28dBu</td>
<td>-16dBu</td>
<td>-6dBu</td>
</tr>
<tr>
<td rowspan="2">ST CH LINE IN (3/4, 5/6)</td>
<td>-34dB</td>
<td rowspan="2">10kΩ</td>
<td rowspan="2">600Ω Lines</td>
<td>-46dBu</td>
<td>-34dBu</td>
<td>-14dBu</td>
<td rowspan="2">Phone jack**</td>
</tr>
<tr>
<td>+10dB</td>
<td>- 2dBu</td>
<td>+10dBu</td>
<td>+30dBu</td>
</tr>
<tr>
<td>ST CH IN (7/8, 9/10)</td>
<td>-</td>
<td>10kΩ</td>
<td>600Ω Lines</td>
<td>-22dBu</td>
<td>-10dBu</td>
<td>+10dBu</td>
<td>Phone jack**, RCA pin jack**</td>
</tr>
<tr>
<td>CH INSERT IN (1, 2)</td>
<td>-</td>
<td>10kΩ</td>
<td>600Ω Lines</td>
<td>-12dBu</td>
<td>0dBu</td>
<td>+20dBu</td>
<td>TRS phone jack**</td>
</tr>
<tr>
<td>RETURN [L,R]</td>
<td>-</td>
<td>10kΩ</td>
<td>600Ω Lines</td>
<td>- 8dBu</td>
<td>+4dBu</td>
<td>+24dBu</td>
<td>Phone jack**</td>
</tr>
<tr>
<td>2TR IN [L,R]</td>
<td>-</td>
<td>10kΩ</td>
<td>600Ω Lines</td>
<td>-22dBV</td>
<td>-10dBV</td>
<td>+10dBV</td>
<td>RCA pin jack**</td>
</tr>
</tbody>
</table>
<p style="text-align: left;">- Sensitivity is the lowest level that will produce the nominal output level when the unit is set to maximum level.<br />
- 0dBu : 0.775Vrms; -0dBV : 1Vrms.<br />
- * : Balanced; ** : Unbalanced</p>
<h2>Output specifications</h2>
<table>
<caption>MG102C</caption>
<tbody>
<tr>
<th rowspan="2">Terminal</th>
<th rowspan="2">Actual source<br />
impedance</th>
<th rowspan="2">For use with nominal</th>
<th colspan="2">Output level</th>
<th rowspan="2">Connector</th>
</tr>
<tr>
<th>Nominal</th>
<th>Max. before clip</th>
</tr>
<tr>
<td>STEREO OUT [L,R]</td>
<td>150Ω</td>
<td>10kΩ Lines</td>
<td>+4dBu</td>
<td>+20dBu</td>
<td>TRS phone jack***</td>
</tr>
<tr>
<td>AUX SEND</td>
<td>150Ω</td>
<td>10kΩ Lines</td>
<td>+4dBu</td>
<td>+20dBu</td>
<td>TRS phone jack***</td>
</tr>
<tr>
<td>CH INSERT OUT (1-2)</td>
<td>75Ω</td>
<td>10kΩ Lines</td>
<td>0dBu</td>
<td>+20dBu</td>
<td>TRS phone jack **</td>
</tr>
<tr>
<td>REC OUT [L, R]</td>
<td>600Ω</td>
<td>10kΩ Lines</td>
<td>-10dBV</td>
<td>+10dBV</td>
<td>RCA pin jack**</td>
</tr>
<tr>
<td>MONITOR OUT [L, R]</td>
<td>150Ω</td>
<td>10kΩ Lines</td>
<td>+4dBu</td>
<td>+20dBu</td>
<td>Phone jack***</td>
</tr>
<tr>
<td>PHONES OUT</td>
<td>100Ω</td>
<td>40kΩ Lines</td>
<td>3mW</td>
<td>75mW</td>
<td>Stereo phone jack**</td>
</tr>
</tbody>
</table>
<p>- 0dBu : 0.775Vrms; -0dBV : 1Vrms.<br />
- * : Balanced; ** : Unbalanced; *** : Impedance balanced</p>
]]></content:encoded>
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		<title>Yamaha MSR400 powered monitor wedge</title>
		<link>http://www.dmaudio.co.uk/yamaha-msr400-powered-monitor-wedge/</link>
		<comments>http://www.dmaudio.co.uk/yamaha-msr400-powered-monitor-wedge/#comments</comments>
		<pubDate>Wed, 13 Feb 2013 12:18:25 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[concert]]></category>
		<category><![CDATA[vocal PA]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4404</guid>
		<description><![CDATA[The Yamaha MSR400 can be added to our small band and vocal PA systems as a monitor wedge. The built-in amplifier makes the MSR400 very simple to add to any system. Simply add power and a line signal from the desired monitor mix. The Yamaha MSR400 is a compact and lightweight mains-powered loudspeaker with a [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.dmaudio.co.uk/?attachment_id=4401" rel="attachment wp-att-4401"><img class="aligncenter size-medium wp-image-4401" alt="Yamaha MSR400 monitor wedge" src="http://www.dmaudio.co.uk/wp-content/uploads/2013/02/MSR400-e1360757485346-300x180.jpg" width="300" height="180" /></a></p>
<p>The Yamaha MSR400 can be added to our small band and vocal PA systems as a monitor wedge. The built-in amplifier makes the MSR400 very simple to add to any system. Simply add power and a line signal from the desired monitor mix.</p>
<p>The Yamaha MSR400 is a compact and lightweight mains-powered loudspeaker with a surprisingly punchy sound. The Yamaha MSR400 is ideal for use as a stand-alone PA system with either a mic or line input, as a stage monitor or as a club system for DJs or iPod playback. It can be combined with the <a href="http://www.dmaudio.co.uk/MSR800W.html">Yamaha MSR800W</a> powered subwoofer to form a bigger system and individual cabinets can be linked for public address or monitoring from a single source.</p>
<p><strong>Features</strong></p>
<p><strong>400 Watts of Bi-amped Power</strong><br />
The Yamaha MSR400 employs a two-way bi-amplified system in which the low-frequency and high-frequency drivers have their own dedicated amplifiers. The 12-inch cone type woofer and the 1.75-inch high-frequency horn driver deliver total output power of up to 400 watts (LF: 300 watts, HF: 100 watts burst; 300 watts continuous total).</p>
<p><strong>Inputs for a Variety of Sources</strong><br />
The Yamaha MSR400 provides three input connectors; XLR-3-31, XLR-3-32, and phone jacks. All inputs are balanced and connected in parallel. The input level range is from -36 dB to +4 dB, allowing the Yamaha MSR400 to accept output from your mixer as well as other sources such as microphones, synthesizers, or other electronic musical instrument. The control section includes input level adjustment and a two-band equalizer so you can make fine adjustments for optimum matching with your input source.</p>
<p><strong>A Range of Mounting Options</strong><br />
The Yamaha MSR400 can be mounted and positioned in a number of ways to meet the needs of venues or events. It can be placed vertically on the floor, used as a stage monitor, or even mounted on a speaker stand for improved projection. The top surface of the cabinet provides 8-mm threaded holes that facilitate wall or ceiling mounting.</p>
<p><strong>Peak LED for Visual Level Monitoring</strong><br />
In addition to the green LED that lights when the power is turned on, there’s a peak LED that lights red when an input overload occurs. This provides a visual indication of excessive input, allowing you to adjust the input level appropriately.</p>
<p><strong>Specifications</strong></p>
<table border="0" cellspacing="6" cellpadding="0">
<tbody>
<tr>
<td width="90">Type</td>
<td>Biamp 2-way, bass reflex type powered speaker</td>
</tr>
<tr>
<td width="90">Crossover<br />
frequency</td>
<td>1.6kHz</td>
</tr>
<tr>
<td width="90">Frequency<br />
Response</td>
<td>50Hz – 20kHz</td>
</tr>
<tr>
<td width="90">Max SPL</td>
<td>121dB (1m)</td>
</tr>
<tr>
<td width="90">Dispersion</td>
<td>90(H) x 40(V)</td>
</tr>
<tr>
<td width="90">Dimensions</td>
<td>406W x 652H x 351D mm</td>
</tr>
<tr>
<td width="90">Weight</td>
<td>23Kg</td>
</tr>
<tr>
<td width="90">Pole socket</td>
<td>35mm</td>
</tr>
<tr>
<td width="90">Enclosure</td>
<td>Bass-reflex type</td>
</tr>
<tr>
<td width="90">Components</td>
<td>LF: 12″ cone + HF: 1.75″ driver</td>
</tr>
<tr>
<td width="90">Output<br />
Power</td>
<td>LF: 225W @ 500Hz, THD = 1%, RL = 4Ω<br />
HF: 75W @ 5kHz, THD = 1%, RL = 16Ω</td>
</tr>
<tr>
<td width="90">Input Sensitivity.</td>
<td>MIC/LINE: -36dB/+4dB</td>
</tr>
<tr>
<td width="90">Input Impedence</td>
<td>10kΩ</td>
</tr>
<tr>
<td width="90">Connectors (input/output)</td>
<td>1: XLR3 balanced<br />
2: XLR3 balanced<br />
3: TRS jack balanced</td>
</tr>
<tr>
<td width="90">Control</td>
<td>Level<br />
EQ LOW (+/- 3dB @ 55Hz)<br />
EQ HIGH (+/- 3dB @ HF)<br />
Power switch (ON/OFF)</td>
</tr>
<tr>
<td width="90">Indicator</td>
<td>Power: green LED<br />
Clipping: Red LED</td>
</tr>
<tr>
<td width="90">Power Consumption</td>
<td>110W</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<title>Soundcraft Vi6 added to our hire stock</title>
		<link>http://www.dmaudio.co.uk/soundcraft-vi6-added-to-our-hire-stock/</link>
		<comments>http://www.dmaudio.co.uk/soundcraft-vi6-added-to-our-hire-stock/#comments</comments>
		<pubDate>Wed, 14 Nov 2012 14:51:35 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[news]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4375</guid>
		<description><![CDATA[&#160; We have added the superb Soundcraft Vi6 digital mixing console to our hire stock. Compact, rider-friendly and generally regarded as one of the best-sounding digital consoles on the market, the Soundcraft Vi6 has a very clear and intuitive user interface that makes it the first choice for festivals, concerts and high-level corporate events. Our [...]]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://www.dmaudio.co.uk/souncraft-vi6-added-to-our-hire-stock/soundcraft-vi6-2-2/" rel="attachment wp-att-4376"><img class="aligncenter  wp-image-4376" title="Soundcraft-Vi6-2" src="http://www.dmaudio.co.uk/wp-content/uploads/2012/11/Soundcraft-Vi6-21.jpg" alt="Soundcraft Vi6 digital mixing console for hire" width="576" height="432" /></a></p>
<p>&nbsp;</p>
<p>We have added the superb <a title="Soundcraft Vi6 digital console – 96 in / 35 out" href="http://www.dmaudio.co.uk/soundcraft-vi6-digital-console-96-in-35-out/">Soundcraft Vi6</a> digital mixing console to our hire stock. Compact, rider-friendly and generally regarded as one of the best-sounding digital consoles on the market, the <a title="Soundcraft Vi6 digital console – 96 in / 35 out" href="http://www.dmaudio.co.uk/soundcraft-vi6-digital-console-96-in-35-out/">Soundcraft Vi6</a> has a very clear and intuitive user interface that makes it the first choice for festivals, concerts and high-level corporate events. Our <a title="Soundcraft Vi6 digital console – 96 in / 35 out" href="http://www.dmaudio.co.uk/soundcraft-vi6-digital-console-96-in-35-out/">Vi6</a> has the latest V3.0 software and optional DSP card fitted for a total of 96 inputs and 35 outputs.<br />
Please contact us if you would like to hire or demo the <a title="Soundcraft Vi6 digital console – 96 in / 35 out" href="http://www.dmaudio.co.uk/soundcraft-vi6-digital-console-96-in-35-out/">Vi6</a>.</p>
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		<title>iPad with Soundcraft Visi for remote control of Vi6</title>
		<link>http://www.dmaudio.co.uk/ipad-with-soundcraft-visi-for-remote-control-of-vi6/</link>
		<comments>http://www.dmaudio.co.uk/ipad-with-soundcraft-visi-for-remote-control-of-vi6/#comments</comments>
		<pubDate>Thu, 18 Oct 2012 18:02:21 +0000</pubDate>
		<dc:creator>godlikecreature</dc:creator>
				<category><![CDATA[Computers]]></category>
		<category><![CDATA[mixing consoles]]></category>
		<category><![CDATA[digital]]></category>

		<guid isPermaLink="false">http://www.dmaudio.co.uk/?p=4365</guid>
		<description><![CDATA[Soundcraft ViSi Remote is an iOS application that allows remote control of Soundcraft Si Compact and Vi Series mixing consoles wirelessly from your iPad device using no additional hardware other than a wireless access router connected to the Harman HiQnet® Ethernet port of the console. With ViSi Remote you are free to roam your venue [...]]]></description>
				<content:encoded><![CDATA[<p><img class="alignnone" title="ViSi" src="http://dmaudio.co.uk/wp-content/uploads/2012/03/visi.jpeg" alt="ViSi" width="480" height="360" /></p>
<p>Soundcraft ViSi Remote is an iOS application that allows remote control of Soundcraft Si Compact and Vi Series mixing consoles wirelessly from your iPad device using no additional hardware other than a wireless access router connected to the Harman HiQnet® Ethernet port of the console.</p>
<p>With ViSi Remote you are free to roam your venue and adjust mixes and other audio parameters directly from the iPad!</p>
<p><strong>Applications</strong><br />
• Optimise the front of house mix from anywhere in the room<br />
• Adjust monitor levels while standing next to the artist<br />
• Use to extend the fader count of an existing control surface<br />
• Use in standalone mode for familiarisation with console functions<br />
• Control a network of consoles (e.g. FOH and Monitor)</p>
<p><strong>Functions controlled</strong><br />
• Input faders, mutes and solos<br />
• Bus, master LR and VCA master faders, mutes and solos<br />
• Monitor and headphones output levels<br />
• Graphic EQs on all bus outs<br />
• Aux send levels to each bus from all channels (monitor mixes)<br />
• Matrix contribution level to each matrix bus</p>
<p><strong>The system includes the following components:</strong></p>
<p>1 x Apple iPad preloaded with Soundcraft ViSi software<br />
1 x wireless router<br />
1 x network cable</p>
<p>&nbsp;</p>
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