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The most common sight on a live music stage after beer and fags (for the benefit of our North American cousins, that refers to cigarettes....). These microphones are particularly good for vocals and, although possibly not the best vocal mic available, every sound engineer knows what to expect when they plug one in.
Frequency response tailored for vocals, with brightened midrange and bass rolloff.
Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise.
Pneumatic shock-mount system cuts down handling noise.
Effective, built-in spherical wind and pop filter.
Legendary Shure quality, ruggedness, and reliability.
Type: Dynamic (moving coil).
Frequency Response: 50 to 15,000 Hz (see Figure 1).
Polar Pattern:Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency (see Figure 2).
Output Level (at 1,000 Hz).
Open Circuit Voltage: -74.5 dB (0.19 mV).
Power Level: -56.0 dB.
Impedance:Rated impedance is 150 ohms (300 ohms actual) for connection to microphone inputs rated low impedance.
Phasing: Positive pressure on diaphram produces positive voltage on pin 2 with respect to pin 3.
Connector: Three-pin professional audio connector (male XRL type).
Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver colored, spherical steel mesh grille.
Overall Dimensions: See Figure 4.
Net Weight: 298 grams (10.5 oz).
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